Research Interests Category
Research projects, academic and freelance
Thursday 17 November 2016 from midday
School of Arts Languages and Cultures Graduate School Atrium, Ellen Wilkinson Building, University of Manchester Manchester School of Art, Ormond Building Council Chamber, All Saints Campus, Manchester Metropolitan University
‘The Subject of Study – Collaboration in Research and Artistic Practice’ is aimed at exploring research collaborations in academic and artistic practice. The conference opens with an afternoon of researcher lead discussion, exploring different forms of collaborative practice and relationships between the agency of individuals engaged in collaborative research and the institutional or disciplinary context in which they operate. This is followed by an early evening Reception and Keynote by artist, writer and educator, Anthony Luvera whose work explores tensions between authorship (or artistic control) and participation, and the ethics involved in representing other people’s lives.
The Subject of Study is hosted by Common Ground, an interdisciplinary research network aimed at fostering dialogue between researchers and communities who are the subject of research, with a particular focus on the northern and border counties of Ireland. Common Ground seeks to extend dialogue across disciplines and beyond regional boundaries and has designed this conference to be of interest to researchers working in similarly contested territories or contexts. This free event is open to emerging and established academics, independent scholars and interested members of the public and may be of particular interest to Post Graduate Researchers in the Arts, Humanities, Social Sciences, Irish Studies, Drama and Performing Arts and Screen Studies. Please note that Common Ground is planning a conference in Belfast for 2017 and will be talking about our plans and inviting interest during the course of this event.
Image: Documentation of making of Assisted Self-Portrait of Ben Evans from Assembly (2013-2014) by Anthony Luvera
12:00-13:00 Registrations and Networking Lunch (to be held at the School of Arts Languages and Cultures Graduate School Atrium, Ellen Wilkinson Building, University of Manchester)
13:00-15:30 Facilitated Small Discussion Groups (to be held at the School of Arts Languages and Cultures Graduate School Conference Room C1.18, Ellen Wilkinson Building, University of Manchester)
Delegates draw on their own research practice to explore ethics, methodology and questions of public interest arising from relationships between research, researchers and subjects of study, asking:
– What is my relationship to the subject of my study? (ethics: power dynamics, private/public, duty of care)
– What is my process of inquiry to my subject of study? What is my position to my subject of study? (methodology: crtical distance)
– What is the public interest in my subject of study? (public interest: form of presentation, purpose of study, contribution to field of knowledge)
Ann Carragher (Fine Art Lecturer, School of Creative Arts, Blackpool and The Fylde College)
Elizabeth de Young (Editor Liverpool Postgraduate Journal of Irish Studies. Doctoral Researcher, University of Liverpool)
Jamie Holman (Artist, writer, lecturer)
Sandra Plummer (Research Associate, UCL Slade School of Fine Art)
Fearghus Roulston (Doctoral Researcher, University of Brighton)
Anthony Luvera (Artist. Principal Lecturer and Course Director of Photography, Coventry University)
15:30-16:00 Open planning meeting for Common Ground 2017 Conference in Belfast (to be held at the School of Arts Languages and Cultures Graduate School Conference Room C1.18, Ellen Wilkinson Building, University of Manchester). Find out about our plans and how to bring your ideas and interests into the planning process
17:00-17:30 Reception and Keynote Registration (to be held in the Ormond Building Council Chamber, All Saints Campus, Manchester Metropolitan University, Lower Ormond Street. Manchester, M15 6BX)
17:30–19:00 Keynote, Anthony Luvera, Artist (to be held in the Ormond Building Council Chamber, All Saints Campus, Manchester Metropolitan University, Lower Ormond Street. Manchester, M15 6BX)
Through his work and the relationships upon which it is based, Anthony Luvera is interested in exploring the tension between authorship (or artistic control) and participation, and the ethics involved in representing other people’s lives. Anthony will present a recent body of work, Assembly, created in Brighton between 2013 and 2014, where people used cameras and digital sound recorders to capture their experience of homelessness. Later, in conversation with PGR, creative producer and former director of Belfast Exposed, Pauline Hadaway, Anthony will talk about his work creating long-term photographic projects with people experiencing homelessness in cities and towns across the UK, including the on going Assisted Self Portraits project and Residency, exhibited in 2008 by Belfast Exposed, which featured a series of assisted self-portraits made over a sixteen-month period in the city.
Chair: Fionna Barber (Lecturer, Art History, Manchester School of Art – Manchester Metropolitan University)
7 pm – Conference ends
Anthony Luvera is an artist and writer. His work has been exhibited in galleries, public spaces and festivals including London Underground’s Art on the Underground, the British Museum, National Portrait Gallery London, Belfast Exposed Photography, Australian Centre for Photography, Malmö Fotobiennal, PhotoIreland, Goa International Photography Festival, and Les Rencontres d’Arles Photographie.
His writing appears in a wide range of publications, including Photoworks, Source and Photographies. Anthony is Principal Lecturer and Course Director of Photography at Coventry University. He gives workshops and talks for the Royal Academy of Arts, National Portrait Gallery, The Photographers’ Gallery, the Barbican Art Gallery, and community photography projects across the UK.
This event has been made possible through the generous support of the University of Manchester’s artsmethods and the North West Consortium Doctoral Training Partnership.
‘Days of Hope? Exploring the Co-operators Yearbooks (1917-22)’ at the Co-operative Education Conference 2016.
My paper presents findings from early explorations of the Co-operator’s Yearbooks following six months’ research in the National Co-operative Archive, Holyoake House, Manchester. The research began with an interest in the Cooperative movement’s role in rebuilding society and the economy following the First World War.
The conference will be held in the Geoffrey Manton building, on the Manchester Metropolitan University (MMU) Manchester Campus, just off Oxford Road opposite Manchester Aquatics Centre.
Common Ground is a one day conference organised by myself and Sarah Feinstein at the University of Manchester on 10 May 2016. The event is aimed at building dialogue and exploring relationships between academic researchers and communities who are the subject of research in Ireland, mainly focusing on experiences in the North and Border counties. This free event is open to emerging and established academics. Independent scholars and interested members of the public are also welcome. The conference will be of particular interest to Post Graduate Researchers in the Arts, Humanities, Social Sciences, Irish Studies, Drama and Performing Arts and Screen Studies.
9.30 – 10.00 am – Tea, coffee and registration.
10.00 – 11.30 am – Discussion: Northern Ireland, over researched and misunderstood?
The late John Whyte famously observed that ‘relative to its size Northern Ireland is possibly the most heavily- researched area on earth’ with hundreds of books and thousands of articles published since the current ‘troubles’ began there in 1968. Since his seminal ‘Interpreting Northern Ireland’ was published 25 years ago, many thousands more research studies have been undertaken, books and articles written, mostly approaching Northern Ireland as a case study for understanding the causes and remedies of violent conflict. Is there a danger that an over emphasis on understanding the region through studies of community, conflict and ‘cultural difference’ could lead to ‘stereotyping’, as the general and largely unexceptional experience of living and working in Northern Ireland tends to slip out of view? And what about the ‘researched community’? Could Northern Ireland be suffering research fatigue? And in what ways are the subjects of research able to engage with and respond to research findings? How do cultural managers and cultural practitioners manage the demands of researchers? And how does this sit within the policy framework of the cultural sector and cultural institutions?
Four speakers open the discussion with ten-minute presentations, provocations and perspectives on the theme. Followed by an open discussion among audience and speakers, chaired by Pauline Hadaway (PGR, University of Manchester, writer and researcher and convener of The Liverpool Salon).
Fiona Barber (Reader in Art History, Manchester School of Art)
Dr. Chris Gilligan (Senior Lecturer in Sociology, University of West Scotland)
Professor Roger McGinty (Professor of Peace and Conflict Studies, University of Manchester)
Dr. Laurence McKeown (Playwright, socially engaged artist and filmmaker).
Sheelagh Colclough (Belfast based collaborative arts practitioner)
11.45 am – 12.15 pm – The Liverpool Postgraduate Journal of Irish Studies
Liverpool Postgraduate Journal of Irish Studies presented by Co-founder, Seán Hewitt, PhD Candidate at University of Liverpool, Institute for Irish Studies.
12.30 pm – 1.30 pm – Lunch
1.45 pm – 4.00 pm – Film Screening followed by conversation and Q&A with the filmmaker
You Were Never Big on Luxuries: Art, Life and Conflict – Manchester premier of a documentary film that looks at how EU Peace funded projects have used the arts to deal with the legacy of conflict in the north of Ireland. The film has a specific focus on the Aftermath project, which used photography, music, and film to interact with participants in the project – victims/survivors of the conflict and those displaced by conflict. The film features interviews with artists, political activists, academics, and those tasked with providing funding for the arts
The screening is followed by a conversation between the film’s Director, Laurence McKeown, and Dr. Alison Jeffers Lecturer in Applied Theatre and Contemporary Performance, University of Manchester.
4.00 pm – Conference ends
This all day conference is free and open to all. However, we may be able to make a contribution towards some travel expenses for Post Graduate Students travelling from outside Greater Manchester. For more information, please contact Sarah and Pauline on firstname.lastname@example.org.
Sarah Feinstein and Pauline Hadaway are undertaking doctoral research at the University of Manchester, School of Arts, Languages and Cultures. Pauline’s research interest is Culture and Peacebuilding in Northern Ireland. Contact Sarah and Pauline on email@example.com
The Conference ends at 4:00 pm.
This event has been made possible through the generous support of artsmethods and the North West Consortium Doctoral Training Partnership.
Dr Laurence McKeown is a writer, playwright, and filmmaker though sees those roles within the broader context of political activism, academia, and the role that the arts can play in both. His involvement in creative works, political education, and academia began during his period of incarceration as a political prisoner (1976-1992). Following his release from prison Laurence completed a doctoral thesis at Queen’s University, Belfast which examined the development of Irish republican prisoners’ politics and methods of organisation. His thesis was published in 2001 entitled Out of Time. In the 1990s Laurence co-wrote a feature film, H3, based on the 1981 hunger strike within the prison which he participated in (for 70 days) and during which 10 prisoners died. Laurence then began to work as a playwright, using full-length plays and bespoke theatre to explore issues concerning the legacy of the conflict in the North of Ireland. He was Coordinator of the Aftermath project, funded by the EU PEACE III programme, based in Co Louth & Newry/South Armagh 2012-2014 (www.aftermath-ireland.com). In the project Laurence used the arts (film, photography, and music) to engage with victims/survivors of the conflict and also persons displaced by the conflict in Ireland and internationally. Laurence’s most recent documentary film, ‘You were never big on luxuries: Art, Life and Conflict, was premeired at the end of April 2015 as part of the Belfast Film Festival. Laurence founded the festival in 1995 when it began as the West Belfast Film Festival before expanding to become city-wide in 2001. Laurence was Chairperson of the festival from its inception in 1995 until 2005. He remains on the board of management. Laurence is also a member of the Board of Northern Ireland Screen, the main funding body for filmmaking in Northern Ireland.
Fionna Barber is Reader in Art History, Manchester School of Art. Originally from Portadown in Northern Ireland, Fionna has taught Art History at the Manchester School of Art for over twenty years. Before that she taught at the University of Ulster and for the Open University in Northern Ireland. She has published extensively on Irish art and is the author of Art in Ireland since 1910 (Reaktion 2013). As an OU tutor Fionna also taught several students in Long Kesh / The Maze Prison and her recollections of this time are included in the Prisons Memory Archive films We Were There: Women of Long Kesh and the Maze Prisons (Aguiar 2014) and in the latest version of Inside Stories: Memories from the Maze and Long Kesh Prison (McLaughlin 2005/2016). Her current research interests include memory and trauma in post-conflict art in Northern Ireland, and she is additionally researching a monograph on Irish women artists during revolution and reconstruction (1916-c.1930). She has also recently co-curated (with Laura McAtackney and Katherine O’Donnell) the exhibition Con and Eva: We Meet beyond the Earth’s Barred Gate, opening at the Public Records Office of Northern Ireland in Belfast on 18 May and which will also be shown in Manchester later in 2016.
Chris Gilligan is a Senior Lecturer in Sociology at the University of the West of Scotland. His main field of research is in the broad area of nationalism, racism, sectarianism and migration. His publications include: Peace or War? Understanding the Peace Process in Northern Ireland; Northern Ireland Ten Years after the Agreement; Migration and Divided Societies, and The Public and the Politics of Immigration Controls.
Roger Mac Ginty is Professor of Peace and Conflict Studies at the Humanitarian and Conflict Response Institute, and the Department of Politics, University of Manchester, where he teaches on the Peace and Conflict Studies MA programme. He edits the journal Peacebuilding (with Oliver Richmond) and is currently working on everyday indicators of peace and insecurity in four Sub Saharan countries, and on a project on the data collection by UN peacekeepers. He has published widely on international Peacebuilding, including most recently International Peacebuilding and Local Resistance (Palgrave), Everyday peace: Bottom-up and local agency in conflict-affected societies.
Sheelagh Colclough is a Belfast based multi disciplinary artist who has 15 years of experience in collaborative arts practice: arts education and engagement, production, programming and research. Her work includes: commissioned installations, facilitation, research, consultation and presentations for organisations and festivals in Ireland and Europe. She has been part of the outreach and education team for the Turner Prize 2013, Derry-Londonderry UK City of Culture and for the UK Paralympic Flame Festival 2012. In recent years she has exhibited with Golden Thread and PS² galleries in Belfast and has programmed and participated in a series of collaborative practice events for Ulster University. She completed a collaborative artists residency at the Tyrone Guthrie Centre with The Performance Corporation, Dublin in 2015 and will be in residence with IZOLYATSIA, Ukraine in July 2016. Sheelagh is currently a board member of Blue Drum, a Dublin based community arts and cultural rights organisation. Much of her work examines the hierarchies of state sanctioned social interventions present in many community and collaborative art projects from which The Sheelagh Foundation was born; a tongue in cheek, conceptual institution adept at conducting bipartisan research and performative consultation at surprisingly reasonable rates. Sheelagh has received Arts Council of Northern Ireland awards for her work.
Seán Hewitt is a PhD candidate as the Institute of Irish Studies, University of Liverpool. Sean read English at Girton College, Cambridge, before moving to the Institute of Irish Studies, University of Liverpool, where he gained an MA in 2014 and where he is currently studying for a PhD on the works of J.M. Synge. His research is funded by the AHRC. He is the founder and general editor of Liverpool Postgraduate Journal of Irish Studies.
Alison Jeffers’ research interests in theatre focus on some of the ways in which theatre and the arts are used in a wide range of settings – from theatre work with refugees and asylum seekers to community plays in major cities in Britain and Ireland. The threads that link these practices include considering the role of story and storytelling in a wide variety of performance settings, the role of participation and creativity in community-building, and questions of authority and authorship in community-based creative practices. Alison has recently published work on community plays and community consultation processes in Belfast and is working on an edited book about the community arts movement of the 1970s and 1980s.
Event Title: Days of Hope: Women Co-operators in the years following the First World War.
Venue: The Learning Loft, Rochdale Pioneers Museum, Toad Lane, Rochdale, Lancs.
Time: Thursday 12 November at 3-5 pm.
With the future of politics to be ‘decided in the social, economic and industrial circumstances brought upon us by war’, the Co-operators’ Yearbook reminded its readers that the ‘crowning fact’ of 1918 had been the extension of the parliamentary vote to women over the age of thirty. As property restrictions were abolished, the British electorate more than doubled to 21 million, including 8.5 million newly enfranchised women. In this ‘tidal wave of democracy’, the Co-operators’ Yearbook looked forward to a future in which people would regain control of their lives, reclaim ‘civil liberties and customary rights’ and take responsibility for organising society and the economy on their own terms and in their own interests.
Pauline Hadaway, Researcher in Residence with the National Co-operative Archive, has been exploring the Co-operators’ Yearbooks (1917-1922) to discover the contribution of women co-operators to the project of rebuilding society and the economy as Britain emerged from the turmoil of the Great War. From grassroots initiatives and campaigns to international movements what were these new political actors thinking, writing, making and doing during the brief ‘days of hope’ that followed war, revolution and the collapse of the old world order?
Join Pauline to hear about some early findings and take part in a conversation exploring her research interests, in the light of the social, cultural and political currents that shaped the post World War One world. Aimed at anyone with a relevant interest or knowledge, whether academic or personal, the event is an opportunity to contribute ideas, thoughts, personal knowledge and stories or simply to find out more about a research project at an early stage of development. All are welcome.
My interest in this area arises from my own professional experience as a cultural manager negotiating the complexities of cultural development and policy implementation in Northern Ireland.Read the full article...
Whilst the arts and culture remain relatively insignificant in terms of direct government spending, cultural policy has extended its influence across wide areas of social and economic policy-making in the whole of the UK over the past three decades.Read the full article...
Speaking in the immediate aftermath of the sinking of the Titanic, a survivor spoke of her incredulity on deck as the tragedy unfolded: ‘It was like a play, like a drama that was being enacted for entertainment, it did not seem real.’Read the full article...
Policing the Public Gaze: The Assault on Citizen Photography, by Pauline Hadaway, director of Belfast Exposed gallery, reveals the growing restriction of citizen photography – by community safety wardens, private security guards, and self-appointed ‘jobsworths’.Read the full article...
Belfast City Council arts subcommittee passed a vote of censure against the Vacuum, a local arts and cultural review, following a complaint that it contained material which was offensive to Christians.Read the full article...
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Recent tweets by @PaulineHadaway
Looking forward to our first live @LiverpoolSalon in ages. With @PiersBenn @TimandraHarknes & @PhilipMWaldron. How to argue well? A glass of wine in the beautiful @TheAthenaeum1 library should make a very good start. twitter.com/LiverpoolSalon…
Home Office quotas for resettling refugees are mean spirited and serve muddled political ends. Worst of all-for me - they're an offence to the generosity of millions of British citizens. @kenanmalik on the shambles in Afghanistan. theguardian.com/commentisfree…
@thephilippics locates the weakness that led to the collapse of the Afghan state 'at the core of the global political system, and not in a remote imperial outpost'. Sharp and right to the point. spiked-online.com/2021/08/20/…